Thursday, September 3, 2009

First workshop completed


by Whitney Gray

This is going to sound overly dramatic, and I'm certainly playing it up a bit, but there's always a hint of truth in comedy.. right?

Well, today we had our first poetry workshop at good ol' UNCG.. and it was.. interesting. I really loved the pacing of the class. In three hours, we covered six poems out of the ten submitted. Each poem received a lot of time for reading and critiquing. At times, I struggled with the format of the workshop, because the poet is given no time to defend or clarify anything within the poem. (One friend pointed out that if you were reading a poem out of the canon, you wouldn't have the luxury of asking the poet. Point taken.) In previous workshops, we would discuss a poem, and then turn to the poet so that he or she could answer any questions, or to ask his or her own. It helped clear up some confusion for both the readers and the writers. We discussed this with our professor, who said we may turn to the poets in later classes, but for now, we will stick to the layout.

Another interesting part of the class was how the poems were ordered. Stuart Dischell implemented the method that however the poems were turned in, no matter the order, was the order that would be used in class. It just so happens this "random order" stacked all of the first year poets back-to-back and at the front of the pile. I didn't have the pleasure of going first, but being a part of the first group wasn't as intimidating as I had expected. I did, however, go last, and with only a few minutes remaining in class. I was worried that people would begin shuffling around, preparing to leave the course, but no one glanced at the clock and hinted that they were ready to leave. I received an equal amount of attention to my poem that the previous poets received. I appreciated the equality, as well as the pacing of the class allowing us to fit my poem into this session, rather than leave it to next week.

I will say, however, that the experience in the workshop was very tough. My classmates are far more trained that classmates I had in my undergrad workshops. People know exactly what they want to say, and how to say it. When they have any confusion or difficulty with a part of a poem, they say it. I'll admit, my poem wasn't the strongest, but I was very surprised to hear the reactions. My poem was read to be quite hilarious, when really, it was intended to have a very sarcastic, but not necessarily humorous tone. The misreading made it difficult for me to focus. Then, I had that moment every warned me of: The Moment of Self Doubt. I began noting on my poem--"is this poem a failure? What have I done wrong? How can I clarify?" Those notes didn't hold the real questions though. "Am I a failure? How did I get in this program? Do I really know how to write? Does everyone think I'm stupid?"

The feelings, thankfully, have passed, but that little bit of self doubt will always be in the back of my mind. I think this doubt will help drive me to write better poems and to focus on the things I value in poetry: precision, and above all else, clarity. I wrote about the importance of clarity in my Statement of Purpose, for Pete's sake! It was a good dose of reality, albeit difficult to swallow, but it can only help me.

Wednesday, September 2, 2009

First day of Classes

By Casey Tolfree

I have to say after a year and a half out of the game, it felt really good to be back in a classroom. I hadn't realized how much I missed the classroom and discussions on literature and having new people to talk with, bond with over books and writing.

I will admit I was a little nervous at first, afraid that I wasn't as smart or well read as my peers but I think I held my own. I read a good amount between high school and college and then on my own. I feel well-rounded.

I had two classes last night. Five hours of class - my butt hurt for sure. The day started off with Genre Development: Novel. It's a reading intensive class. 12 book. I have to do 90 minute presentation/discuss on September 29 about Mrs. Dalloway. Great. A preview of what my future in teaching may be. There's eight people in my class and it seems like a good bunch. A little quiet though.

My second class was playwriting, which I was a little worried about but my teacher is a riot. I think I'll really enjoy it, as long as he lets me keep my shoes on from now on.

I have a lot of homework this semester. It's going to be a challenge for sure.

Fiction writing is tomorrow night.
I'll keep you updated.

Lit Mags, Lit Mags, Who's Working for Lit Mags?

Post links to your school's lit mag submission guidelines so we can all get a piece of the publication pie!

Put a link in the comments and I'll update the post. I'll list them in alphabetical order:

Arts & Letters - GCSU
Dislocate- University of Minnesota
Fourteen Hills - SFSU
The Journal- Ohio State
Meridian- UVA
Northwest Review- University of Oregon
Packington Review- University of Illinois- Chicago
Phoebe- George Mason

First Assignments

So many firsts going on the blog the past few weeks! Here at Hollins I am about to beginning the end of my first day as a graduate student. Wednesdays are a busy day for me; I have three classes, between the hours of 10 AM and 9 PM.

Before I scoot along to that last class, I have a question for my fellow MFAers. For my literature class, taught by the amazing and fabulously coiffed Jeanne Larsen, I must submit the most perfect poem ever published. Needless to say I am baffled and dazed by options. Since I know there are many, many poets and poetry lovers who contribute to and read this blog, I thought I would ask you. What do you think is the most perfect poem?

1st Workshop + 1st MFA Reading + Meridian


by Jonterri Gadson

Alright, so I had my first poetry workshop on Monday. I had the drama of putting my poem in the wrong spot the week before, but it didn't matter because we didn't end up workshopping. The class was more of an Intro to Greg Orr. So we all went around and introduced ourselves and told the story of how we came to write poetry. This was a great exercise! These people fascinate me!

What I learned was that I need to read, read, read more. All of my heroes are contemporary poets and Greg made the point that poets exist on a family tree and that we should study their descendants. The point that really brought that home was when he mentioned how Sylvia Plath's earlier work was less strong but once she immersed herself in the work of Roethke her writing took off. We read 6 of Roethke poems and the lyricism was so strong! So I may start my exploration of the family tree with him. I'm excited about that because one of the major things I wanted to get out of an MFA program was exposure. Getting it!

He's obviously passionate about poetry and that's a huge comfort. Poetry does not appear to be just his day job so I am interested to see what he'll have to say about my work. I turned in another poem so I may be getting workshopped for the next 2 weeks.

After workshop we went out for drinks/food and I discovered that, oddly, "peach margarita" sounds exactly like "huge margarita". Try it in a sentence! lol
--
Last night we had our first reading in the UVA MFA Reading Series. A poet and a fiction writer read. I (and 2 other first year poets) have class until 9pm when the readings start so we were about 15 minutes late. It was alright. We hung around for a few hours and had some drinks and I got to meet some fiction people I'd wanted to meet and to talk more with my poetry people. These people totally fascinate me! One of my classmates talked to me about doing a duet poem. Excited about that! Good times.

Oh, the venue is beautiful!

I read on 10/20. Raina said she may show up, so that would be a huge bonus! Anyone else is also welcome if you happen to be near. For those in the DC/VA area, please share your events because I just may be able to come support you!
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Oh! I did my first post for Meridian, UVAs literary magazine. Thanks to Keely for commenting! You all should consider submitting your work to Meridian. For real. :)
--
Okay, so I have yet to establish any type of writing routine here! I can honestly say that 75% of the reasons why are due to my own laziness! I know, I know! So I'm saying this here for accountability. Next week, I WILL be talking about how I found a place to write and how I'm going there every week day. If I don't, feel free to say, "Ummmm JayTee, where's that post about how you are the queen of writing time?"

MFA Degree Association

Hey all,

Quick post to let you know that the MFA Degree Association is offering free memberships (totally free, no trial period) to MFA Chroniclers!

I look at MFA Degree association as a social media site for MFAs of all types. From the site it looks like they are planning to host panels & workshops, provide opportunities for members to interact with "editors, gallery owners, agents, managers, etc.". Right now there is an event scheduled in Los Angeles.

Here's some info on Lawrence Ross, the founder: wikipedia and his own blog from his time in UCLA's MFA program for screenwriting.

We can cross-post our blog posts over there if we like, he has no problem with us sharing our content over there if we choose.

I don't want to give out anyone's email address for the free memberships without permission so post in the comments if you'd be interested and I can send him a list or you can email Lawrence Ross, the founder here: lawrence.ross@mfadegree.com.

Tuesday, September 1, 2009

1st workshop--coming up!


by Whitney Gray



Last week, I visited all of my classes and got a feel for what I'll be learning. Thursday was the workshop, and we didn't do anything other than introductions and discussing the syllabus and a poem or two. We turned in our poems on Monday and by the afternoon, we had packets prepared and placed in the mailboxes. (I have a mailbox! Exciting!) I picked mine up after a long day of work in the English department, and looked them over as I walked home.

After I made it home, I sat down and re-read the poems, paying closer attention to the writing and styles. As one of my classmates joked, "we all wrote the same poems." It was interesting how many insects (or other creatures like mangy cats) and dead folks popped up in all of our poems. The best surprise of all? All of the writing was good.

I'm sure we've all been in workshops where there were a few folks who meant well but didn't get it. I don't say this to sound superior or snotty, but I do feel like I can point some fingers at my fellow classmates who joined the classes for an "easy" grade. These are the folks who didn't turn in poems, or would turn in 4-lines about the stalker "who watches the woman at her house/he waits for her quietly like a mouse."

Suddenly the caliber of the work has sky-rocketed and there's an obvious sense of commitment. Each poem is thoughtful, well-written, but with plenty of room for improvement and discussion. The styles were varied, as were the lengths of each piece. I'm looking forward to discussing these poems and really digging into them. I can't wait to read a poem and get a response other than, "I liked it." (I had a class of people who would say "I agree with [name here]" but they would never offer their own comments.)

Has anyone else been to workshop yet? Has anyone else had bad experiences with their workshops (or the people involved)? Or was I the only one fortunate enough to read rhyming poetry about sorority rush?
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